I’m sure I’ve said before that writing the novel is the easy part, but let me reiterate. The first draft of a novel is glorious, you’re not worried about all of the blunders you’ve slipped into the manuscript, you’re just riding the high of telling the story. Now, I’ll admit, my first drafts often tend to end up being crap. I have a weird propensity to throw in random apostrophes, leave off question marks when that question is in a compound sentence, capitalize odd things and completely leave out bits of information between lines of dialog with a strange space between quotation marks….
I have a feeling my first round betas want to pull their hair out when they see all of those lovely little errors. I am not a nice person. I do a first draft, followed by a content/whatever-I-can-catch edit and then let someone else deal with it. Thanks Jenna & Katie.
That being said… I’ve finished my second draft of my space western that still has no name – pulling my hair out on that still – and both betas are nearly done! Yay!
Let’s talk about what I mean by “Content/whatever-I-can-catch edit.”
I’m one of those people – yes, one of those people – who often thinks that I’ve written something into a novel, but haven’t. I’m a little harebrained. So my first go over of that rough draft is like a fun little search game in which I’m looking for the things I’ve failed to put in. Oh! The Horror!
Now, that being my focus, I don’t notice grammatical errors and the like, which I should probably be looking for, but hey, I’m far from perfect.
So it often happens, as it did with my space western, that my word count jumps up. This time I went from 86k to 91k. We’ll see what it ends up looking like after draft 8…
Wednesday, September 29, 2010
Sunday, September 26, 2010
Another Poll Closed
The results are as follows
A – 9 votes
B – 2 votes
C – 1 vote
From the general notes I’ve received about paragraph A, the big factor in it’s overwhelming victory is the beginning sentence. “Skydra is a killer.” I do need to change the third sentence up a bit, since a) it’s uber long and b) it’s repetitive at the beginning.
Paragraph B is a funny thing, because it’s the summary paragraph I originally sent in and received a request for partial from. It’s been five months since I last submitted, so I figured that if it were the better paragraph, there’d be no harm in resubmitting the same thing. But that’s okay.
All that I can say about paragraph C is… sorry Jenna.
Now I just have to fix the part in the brackets….
Skydra is a killer. The daughter of a deranged tyrant, she is supposed to be the delicate weapon her father has molded her to be.[She isn’t supposed to have a conscience, she isn’t supposed to hear your thoughts, but moments of split consciousness allow her access to the thoughts of others, and have made her a silent observer to the atrocities of her father, including her own mother’s death.]This gift now shows her that the man she is supposed to marry and kill is in no way worthy of that fate. As she gets to know his mind, she finds her task more and more difficult. Soon she is unsure if she will be able to fulfill her father’s demands, and duty to her country, by killing the man she is growing to love.
A – 9 votes
B – 2 votes
C – 1 vote
From the general notes I’ve received about paragraph A, the big factor in it’s overwhelming victory is the beginning sentence. “Skydra is a killer.” I do need to change the third sentence up a bit, since a) it’s uber long and b) it’s repetitive at the beginning.
Paragraph B is a funny thing, because it’s the summary paragraph I originally sent in and received a request for partial from. It’s been five months since I last submitted, so I figured that if it were the better paragraph, there’d be no harm in resubmitting the same thing. But that’s okay.
All that I can say about paragraph C is… sorry Jenna.
Now I just have to fix the part in the brackets….
Skydra is a killer. The daughter of a deranged tyrant, she is supposed to be the delicate weapon her father has molded her to be.[She isn’t supposed to have a conscience, she isn’t supposed to hear your thoughts, but moments of split consciousness allow her access to the thoughts of others, and have made her a silent observer to the atrocities of her father, including her own mother’s death.]This gift now shows her that the man she is supposed to marry and kill is in no way worthy of that fate. As she gets to know his mind, she finds her task more and more difficult. Soon she is unsure if she will be able to fulfill her father’s demands, and duty to her country, by killing the man she is growing to love.
Labels:
Duty and Death,
Query,
TTW
Thursday, September 23, 2010
Musings on Midnight Fears of Rejection
Faint whispers fill the blackest night, a chorus of reminders.
We must remember who we are, in the soul of a finder.
They seek to undermine us, every inch of our control.
Pushing and prodding they’ll try to divide us, to turn us on the whole.
Errant thoughts invade our mind, Seditious to their core.
We hope to o’erpower them, and keep out any more.
Attempts that may be futile, will move us a measure.
If we drive them out completely, our thoughts we can treasure.
We must remember who we are, in the soul of a finder.
They seek to undermine us, every inch of our control.
Pushing and prodding they’ll try to divide us, to turn us on the whole.
Errant thoughts invade our mind, Seditious to their core.
We hope to o’erpower them, and keep out any more.
Attempts that may be futile, will move us a measure.
If we drive them out completely, our thoughts we can treasure.
Labels:
My Writing,
Poetry
Tuesday, September 21, 2010
Words I didn’t know I loved until I revised my novel: A list.
I wrote this a while ago, but it was passed over in posting because Evil Editor reviewed my query. It wasn’t until Randine posted an entry about words she hates that I remembered them. And so, without further adieu, the list!
Alacrity (Promptness or eager and speedy readiness) – I see this word now and I know why I love it (and therefore use it quite often). It has four syllables. It’s a very concussive word. And frankly I think it sounds more whimsical than the alternatives. Why wouldn’t I love this word?
Derision (Mocking scorn) – let’s face it. In my novels I come up with some pretty mean characters, because, well, there are mean people in the world, nothing is going to change that.
Disdain (regarding someone as not worth of respect) – what can I say, I like me some scorn.
Penitent (feeling regret for sins) – I’ve loved this word since the first time I say Indiana Jones and the Last Crusade. “Only the penitent man may pass.” And once again, this is a very concussive word. I like them words that be heavy on the consonants, you know.
Penchant (liking or tendency toward something) – don’t ask me why, I just have a penchant for the word penchant.
Plight (unfortunate condition) – Apparently I like words that start with a “p” and end with a “t”.
Slightly (very small, thin, insubstantial) – Oh I hate this little modifier. Now that I recognize it, I do, anyway.
And one word I’ve knowingly loved for a while:
Granted – Granted, I use this more when I’m talking. In fact, I use the word “Granted” like an eleven-teen year old uses “Like.” Ok, maybe not that bad.
Please help me out by picking a query if you haven't already! Thanks
Alacrity (Promptness or eager and speedy readiness) – I see this word now and I know why I love it (and therefore use it quite often). It has four syllables. It’s a very concussive word. And frankly I think it sounds more whimsical than the alternatives. Why wouldn’t I love this word?
Derision (Mocking scorn) – let’s face it. In my novels I come up with some pretty mean characters, because, well, there are mean people in the world, nothing is going to change that.
Disdain (regarding someone as not worth of respect) – what can I say, I like me some scorn.
Penitent (feeling regret for sins) – I’ve loved this word since the first time I say Indiana Jones and the Last Crusade. “Only the penitent man may pass.” And once again, this is a very concussive word. I like them words that be heavy on the consonants, you know.
Penchant (liking or tendency toward something) – don’t ask me why, I just have a penchant for the word penchant.
Plight (unfortunate condition) – Apparently I like words that start with a “p” and end with a “t”.
Slightly (very small, thin, insubstantial) – Oh I hate this little modifier. Now that I recognize it, I do, anyway.
And one word I’ve knowingly loved for a while:
Granted – Granted, I use this more when I’m talking. In fact, I use the word “Granted” like an eleven-teen year old uses “Like.” Ok, maybe not that bad.
Please help me out by picking a query if you haven't already! Thanks
Labels:
Duty and Death,
Editing,
My Writing,
Percepience,
Revision Wars,
TTW
Friday, September 17, 2010
Pick a Query... Any Query #2
It's time for another round of Pick-a-Query! Please do me the favor of reading through these three options and picking the one that most makes you want to read the novel. Let me know which you like best by voting in the pole that is at the top right of the screen and as always, feel free to comment at your leisure. Thanks for your help!
A.
Skydra is a killer. The daughter of a deranged tyrant, she is supposed to be the delicate weapon her father has molded her to be. She isn’t supposed to have a conscience, she isn’t supposed to hear your thoughts, but moments of split consciousness allow her access to the thoughts of others, even through the walls of the mind, and have made her a silent observer to the atrocities of her father, including her own mother’s death. This gift now shows her that the man she is supposed to marry and kill is in no way worthy of that fate. As she gets to know his mind, she finds her task more and more difficult. Soon she is unsure if she will be able to fulfill her father’s demands, and duty to her country, by killing the man she is growing to love.
B.
Being the loyal daughter of an oppressive Emperor is one thing, murdering for him is quite another. That is exactly what is being asked of Skydra, the eldest daughter of Vladimir, the Emperor of Hetia. But Skydra has an unnatural gift: moments of split consciousness allow her access to the thoughts of others, and have made her a silent observer to the atrocities of her father, including her own mother’s death. This gift now shows her that the man she is supposed to kill is in no way worthy of that fate. With the knowledge of exactly what fulfilling her father’s demand, and duty to her country, will cost. She must decide between duty and death.
C.
Skydra is a princess and a killer. The daughter of a deranged and tyrannical emperor, she is more than the delicate weapon her father has molded her to be. Though years of training attempted to stomp out any remnants of compassion, one secret has kept her human. Moments of split consciousness allow her access to the thoughts of others, and have made her a silent observer to the atrocities of her father, including her own mother’s death. This gift now shows her that the prince she is supposed to marry and kill is in no way worthy of his fate. Her time with the prince reveals the possibility of a life he didn’t dream she could have. She is torn by the realization that fulfilling her father’s demands and duty to her country will mean killing the man she is growing to love.
A.
Skydra is a killer. The daughter of a deranged tyrant, she is supposed to be the delicate weapon her father has molded her to be. She isn’t supposed to have a conscience, she isn’t supposed to hear your thoughts, but moments of split consciousness allow her access to the thoughts of others, even through the walls of the mind, and have made her a silent observer to the atrocities of her father, including her own mother’s death. This gift now shows her that the man she is supposed to marry and kill is in no way worthy of that fate. As she gets to know his mind, she finds her task more and more difficult. Soon she is unsure if she will be able to fulfill her father’s demands, and duty to her country, by killing the man she is growing to love.
B.
Being the loyal daughter of an oppressive Emperor is one thing, murdering for him is quite another. That is exactly what is being asked of Skydra, the eldest daughter of Vladimir, the Emperor of Hetia. But Skydra has an unnatural gift: moments of split consciousness allow her access to the thoughts of others, and have made her a silent observer to the atrocities of her father, including her own mother’s death. This gift now shows her that the man she is supposed to kill is in no way worthy of that fate. With the knowledge of exactly what fulfilling her father’s demand, and duty to her country, will cost. She must decide between duty and death.
C.
Skydra is a princess and a killer. The daughter of a deranged and tyrannical emperor, she is more than the delicate weapon her father has molded her to be. Though years of training attempted to stomp out any remnants of compassion, one secret has kept her human. Moments of split consciousness allow her access to the thoughts of others, and have made her a silent observer to the atrocities of her father, including her own mother’s death. This gift now shows her that the prince she is supposed to marry and kill is in no way worthy of his fate. Her time with the prince reveals the possibility of a life he didn’t dream she could have. She is torn by the realization that fulfilling her father’s demands and duty to her country will mean killing the man she is growing to love.
Labels:
Duty and Death,
My Writing,
Query,
TTW
Thursday, September 16, 2010
3 Points On Querying & Rejection Gleaned From An Annoying Comment.
I was perusing the comments on the author pages at Querytracker.net and came across a few notes that made me shake my head.
One was an individual who was irked by the fact that the particular agent he’d queried and received a rejection from. His comment was pitched with hostility toward said agent because she “doesn't read the queries -- her assistant does.” As well as the fact that his query was rejected quickly. He cited the fact that the agent who has a limited number of male clients (I only know of two that she reps at the moment) as a possible basis for his rejection.
I don’t understand the logic that comes into play her. I understand that the commenter was angry, we all feel hurt and a little hopeless when we get the “thanks, but no thanks” email. But lashing out doesn’t do you any good.
A few points.
Number 1 – Agents are busy people. The fact that they’re accepting queries from potential new clients at all is a mark that they understand that there are diamonds to be found in the slush pile. But busy agents don’t always have time to sift through looking for those diamonds. That is why they hire assistants, those lovely people who sit at a desk and answer the emails of we unpublished – and sometimes desperate – few who feel that their agency is the right one for us. I understand that this gentleman may have felt cheated because his query was read by an assistant, not the actual agent, but that assistant wouldn’t have a job if they didn’t know what they were doing. An agent’s assistant is going to know what they’re looking for.
Point#1: When querying, always assume you have to get past the assistant first.
Number 2 – When I receive a quick response to a query I rejoice. Regardless of what that answer is. The record is a 48minute response time. It was a rejection, but I didn’t have to woolgather over it for a millennia. Did I mention that I got a query back a few weeks ago that I didn’t even remember sending… it took that long to get a response. I don’t know about you, but when it comes to waiting for a query response, I’d rather get a swift “No” than have to wait ten months for it. I’d gather that the his annoyance with the quick response lies in the fact that he feels his query wasn’t given due consideration. The point of your query is to grab an agent. If it doesn’t grab the assistant… chances are, it’s not going to grab the agent.
Point #2 – Swift responses are little blessings… they keep you from getting an ulcer.
Number 3 – I cannot believe the number of time’s I’ve seen a complaint about the publishing industry being sexist toward men… I always balk at that. If you look at the numbers, most of the reading base is women – it’s why romance novels do so well. That being said. I have to laugh at the fact that so many unpublished men out there chalk their rejection up to their gender. I don’t know if you’ve ever heard of authors like Dan Brown, Orson Scott Card, Michael Creighton, John Grissam(sp?), Clive Cussler… men who were obviously not hindered by their gender. It’s true, this agent is not known for male clients, but I don’t think that’s specifically because she’s anti-male authors… like I said, she has signed at least two that I know of, one who’s been on the NYT Best Seller list for ages now. I think that it’s just a matter of the fact that she hasn’t seen books from enough men that grab her attention.
Point#3 – Don’t blame erroneous factors for your rejection.
One was an individual who was irked by the fact that the particular agent he’d queried and received a rejection from. His comment was pitched with hostility toward said agent because she “doesn't read the queries -- her assistant does.” As well as the fact that his query was rejected quickly. He cited the fact that the agent who has a limited number of male clients (I only know of two that she reps at the moment) as a possible basis for his rejection.
I don’t understand the logic that comes into play her. I understand that the commenter was angry, we all feel hurt and a little hopeless when we get the “thanks, but no thanks” email. But lashing out doesn’t do you any good.
A few points.
Number 1 – Agents are busy people. The fact that they’re accepting queries from potential new clients at all is a mark that they understand that there are diamonds to be found in the slush pile. But busy agents don’t always have time to sift through looking for those diamonds. That is why they hire assistants, those lovely people who sit at a desk and answer the emails of we unpublished – and sometimes desperate – few who feel that their agency is the right one for us. I understand that this gentleman may have felt cheated because his query was read by an assistant, not the actual agent, but that assistant wouldn’t have a job if they didn’t know what they were doing. An agent’s assistant is going to know what they’re looking for.
Point#1: When querying, always assume you have to get past the assistant first.
Number 2 – When I receive a quick response to a query I rejoice. Regardless of what that answer is. The record is a 48minute response time. It was a rejection, but I didn’t have to woolgather over it for a millennia. Did I mention that I got a query back a few weeks ago that I didn’t even remember sending… it took that long to get a response. I don’t know about you, but when it comes to waiting for a query response, I’d rather get a swift “No” than have to wait ten months for it. I’d gather that the his annoyance with the quick response lies in the fact that he feels his query wasn’t given due consideration. The point of your query is to grab an agent. If it doesn’t grab the assistant… chances are, it’s not going to grab the agent.
Point #2 – Swift responses are little blessings… they keep you from getting an ulcer.
Number 3 – I cannot believe the number of time’s I’ve seen a complaint about the publishing industry being sexist toward men… I always balk at that. If you look at the numbers, most of the reading base is women – it’s why romance novels do so well. That being said. I have to laugh at the fact that so many unpublished men out there chalk their rejection up to their gender. I don’t know if you’ve ever heard of authors like Dan Brown, Orson Scott Card, Michael Creighton, John Grissam(sp?), Clive Cussler… men who were obviously not hindered by their gender. It’s true, this agent is not known for male clients, but I don’t think that’s specifically because she’s anti-male authors… like I said, she has signed at least two that I know of, one who’s been on the NYT Best Seller list for ages now. I think that it’s just a matter of the fact that she hasn’t seen books from enough men that grab her attention.
Point#3 – Don’t blame erroneous factors for your rejection.
Labels:
Agents Who Blog,
Publishing,
Query
Tuesday, September 14, 2010
Battling With the Impatience of My Seven Year Old Self
We’ve discussed that impatient seven year old girl who lives in side of me and is constantly threatening to shatter my façade of “Adultness,” right?
Well, maybe we haven’t discussed the fact that I like to project the image of my seven year old self onto that impatience. I do because, let’s face it, it just works. And it makes me feel like I’m a little less in control of it… I mean, you have no idea of the kind of energy I had back then.
In speaking with my father during one of our quarterly phone chats – I’m a horrible daughter, I know I should call more, I’m just… very distracted. And there’s always this feeling of disapproval which I’m probably making up in my head – he recounted to me that when I was little (he didn’t give an exact age, but I recall seven as being an overly hyper age) he once had me for a two week vacation. My parents separated when I was four and I lived with my mom mostly. According to dad, he took me home half way through my stay because “I was quite a handful back then.” I think this is one of those reasons that I’m leary about ever having kids – I was a handful

